Mexican artist, curator, and architectural researcher.
His work uses architectural history, drawing, sculpture, writing and video to address representations of indigeneity in architectural modernity and contemporary politics, the production of extreme environments, and social transformation in the Americas. He has been a fellow of the Society of Architectural Historians and a grantee of the New Artists Society at the School of the Art Institute of Chicago, Jumex Foundation for Contemporary Art, Andrew W. Mellon Foundation and DCASE. His work has been shown in venues as DePaul Art Museum, Fundación Andreani for BienalSur, Ca’ Foscari Zattere for the 16th Venice Architecture Biennial, Harun Farocki Institut, Rhona Hoffman Gallery, Andrew Rafacz Gallery, Uri-Eichen Gallery, Chicago Design Museum, Extase, SITE Galleries, SpaceP11 and Centro de Arte y Filosofia. His work is part of private and institutional collections in Mexico and Latinamerica. He has been a guest speaker for institutions like MoMA’s Emilio Ambasz Institute x DocTalks, the American Institute of Architects, the Society of Architectural Historians, Smart Museum of Art, Materia Abierta, UPenn, and CENTRO.
He is currently the curator of The Last of Animal Builders, an exhibition at Mies van der Rohe’s Edith Farnsworth House.
He manages the Katz Center for Mexican Studies at The University of Chicago.
UPCOMING:
Agosto 18, 2023 at Materia Abierta, CDMX
Sep 7, 2023 - DePaul Art Museum, Chicago
Sep 8, 2023 - URI-Eichen Gallery, Chicago
ARTIFICIAL-AGENCY
Architecture
Exhibition Strategy
Research and Publication
Design Consultancy
Previous clients and collaborators include, Art Institute of Chicago, Singapore Art Museum, Edith Farnsworth House, Goethe-Institut Chicago, Michael Rakowitz Studio, Black Athena Collective, Dawit L. Petros, The University of Chicago, among others.
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Las Aguas Bajan Turbias
For BienalSur
A Fragment of a building that does not exist.
With Andrea Hunt
This exhibition is comprised of El Mundo Debajo and El Espejo Otomí. El Mundo Debajo is an experimental documentary that traces the Mexican Modern state’s representation of indigeneity through the making of Mexico City’s sewage system. The video is projected over four prefabricated concrete panels. El Espejo Otomí is a sculpture consisting of eight concrete casts of a maguey leaf acting as a cladding system for a metal structure. This fragment takes a traditional building method of the Otomi region in Hidalgo to the material language of modernity. The Otomí region receives Mexico City’s black waters and has been historically exploited for minerals for the production of cement, a key element for the infrastructural transformations of Mexico City. This work was produced for BienalSur, curated by Leandro Martinez Depietri and Benedetta Casini and installed at Fundación Andreani in Buenos Aires, Argentina.
The research for this project was funded by the American Institute of Architects and MIT’s Global Architecture History Teaching Collaborative.
This exhibition is comprised of El Mundo Debajo and El Espejo Otomí. El Mundo Debajo is an experimental documentary that traces the Mexican Modern state’s representation of indigeneity through the making of Mexico City’s sewage system. The video is projected over four prefabricated concrete panels. El Espejo Otomí is a sculpture consisting of eight concrete casts of a maguey leaf acting as a cladding system for a metal structure. This fragment takes a traditional building method of the Otomi region in Hidalgo to the material language of modernity. The Otomí region receives Mexico City’s black waters and has been historically exploited for minerals for the production of cement, a key element for the infrastructural transformations of Mexico City. This work was produced for BienalSur, curated by Leandro Martinez Depietri and Benedetta Casini and installed at Fundación Andreani in Buenos Aires, Argentina.
The research for this project was funded by the American Institute of Architects and MIT’s Global Architecture History Teaching Collaborative.
