ALBERTO ORTEGA-TREJO

Mexican artist, researcher and architectural designer.

His work uses drawing, sculpture, writing and video to address representations of indigeneity in architectural modernity and the production of extreme environments in the Americas. He has been a fellow of the Society of Architectural Historians and a grantee of Jumex Foundation for Contemporary Art, Andrew W. Mellon Foundation, and DCASE, among others. His work has been shown at DePaul Art Museum, BienalSur, Ca’ Foscari Zattere, Harun Farocki Institut, Rhona Hoffman Gallery, Andrew Rafacz Gallery, Uri-Eichen Gallery, Chicago Design Museum, SITE Galleries, SpaceP11 and Centro de Arte y Filosofia. His work is part of private and institutional collections in Mexico and Latinamerica. He has been a guest speaker for institutions and organizations like MoMA’s Emilio Ambasz Institute x DocTalks, the American Institute of Architects, the Society of Architectural Historians, Smart Museum of Art, Materia Abierta, UPenn, MAS Context and CENTRO.

He is currently the curator of The Last of Animal Builders, an exhibition at Mies van der Rohe’s Edith Farnsworth House.

He manages the Katz Center for Mexican Studies at The University of Chicago.


CURRENTLY:
Life Cycles - DePaul Art Museum, Chicago
Mercurial Lake- URI-Eichen Gallery, Chicago


ARTIFICIAL-AGENCY 


Architecture
Exhibition Strategy
Research and Publication
Design Consultancy

Previous clients and collaborators include, Art Institute of Chicago, Singapore Art Museum, Edith Farnsworth House,  Goethe-Institut Chicago, Michael Rakowitz Studio, Black Athena Collective, Dawit L. Petros, and  Center for Latin American Studies at The University of Chicago.

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Keep scrolling for selected projects ↆ

From Outer Space to Public Space

On alienation and public space

Public Performance and Videoinstallation

From Outer Space to Public Space is an experimental panel for a discussion on racism, alienation, the future of the city and the legacies of Afrofuturism to re-think public space-time occupation. It took place inside Chicago’s CTA Red Line, an axis that makes evident racial segregation and infrastructural disparities.

Thanks to Ann Lui, Shiben Banerji, Ytasha Womack, Delinda Collier and Rohan Ayinde.


Filming crew: Julia Lopes and
Kexin Li