Projects:
El Espejo Otomí
Like a Flower We Will Dry Upon the Earth
Post National Pavilions
Cosmic Marginalia
Gala for a Lost Future
A House For A Film
Mechanics of Labor Control
The Smallest Things
The North American Union
The Issue You Mentioned Earlier
Freedom, baby, is never having to say you’re sorry (The Caravan)
A47 - An Oblique Platform
Texts:
Interior Irruptions, a Review of Faysal Altunbozar’s solo show at Amazigh Contemporary
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El Espejo Otomí
Like a Flower We Will Dry Upon the Earth
Post National Pavilions
Cosmic Marginalia
Gala for a Lost Future
A House For A Film
Mechanics of Labor Control
The Smallest Things
The North American Union
The Issue You Mentioned Earlier
Freedom, baby, is never having to say you’re sorry (The Caravan)
A47 - An Oblique Platform
Texts:
Interior Irruptions, a Review of Faysal Altunbozar’s solo show at Amazigh Contemporary
❌
ALBERTO ORTEGA-TREJO
Mexican artist and architectural designer based in Chicago, US and Pachuca, Mex. Andrew W. Mellon Foundation Fellow (Anti Racism and Global Architecture History).
His work uses architectural design, writing, video, public programs and performance to address histories of social struggles, racialization and class dynamics in the Americas. He has been a grantee of the New Artists Society of the School of the Art Institute of Chicago, the Jumex Foundation for Contemporary Art, the John W. Kurtich Foundation and the Andrew W. Mellon Foundation. He is a member of the Global Architecture History Teaching Collaborative of the Department of Architecture at MIT. His work has been shown in venues as the 16th Venice Architecture Biennale, the Chicago Design Museum, Extase, SITE Galleries, SpaceP11 and the Centro de Arte y Filosofia.
Projects:
El Espejo Otomí
Like a Flower We Will Dry Upon the Earth
Post National Pavilions
Cosmic Marginalia
Gala for a Lost Future
A House For A Film
Mechanics of Labor Control
The Smallest Things
The North American Union
The Issue You Mentioned Earlier
Freedom, baby, is never having to say you’re sorry (The Caravan)
A47 - An Oblique Platform
Texts:
Interior Irruptions, a Review of Faysal Altunbozar’s solo show at Amazigh Contemporary
❌
ALBERTO ORTEGA-TREJO
Mexican artist and architectural designer based in Chicago, US and Pachuca, Mex. Andrew W. Mellon Foundation Fellow (Anti Racism and Global Architecture History).
His work uses architectural design, writing, video, public programs and performance to address histories of social struggles, racialization and class dynamics in the Americas. He has been a grantee of the New Artists Society of the School of the Art Institute of Chicago, the Jumex Foundation for Contemporary Art, the John W. Kurtich Foundation and the Andrew W. Mellon Foundation. He is a member of the Global Architecture History Teaching Collaborative of the Department of Architecture at MIT. His work has been shown in venues as the 16th Venice Architecture Biennale, the Chicago Design Museum, Extase, SITE Galleries, SpaceP11 and the Centro de Arte y Filosofia.
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Like a Flower We Will Dry Upon the Earth
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In collaboration with Andrea Hunt
Chapter 1: The World Below
A Political History of Mexico City’s Modern Sewage System.
Work funded by the American Institute of Architects and MIT’s Global Architecture History Teaching Collaborative.
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The World Below is an experimental documentary that
revises the contingent political history of Mexico City’s
sewage system to further conversations on racism, modernity
and land sovereignity in the Mezquital Valley.
Videoinstallation, 30 mins.
❌
![Basin-Forum / Las Cajas de Agua de Zumpango. Click Right for more images.]()
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![Monument to the Deep Sewage Worker]()
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![Los Baños de Nezahualcóyotl]()
![Schematics for an Alarm Pavilion on Lumbrera 19 of the Túnel Emisor Oriente, Estado de Hidalgo.]()
![Schematics for an Alarm Pavilion in Lumbrera 10 of Túnel Emisor Oriente. Estado de México]()
![Tzidhu / Diablo]()
revises the contingent political history of Mexico City’s
sewage system to further conversations on racism, modernity
and land sovereignity in the Mezquital Valley.
Videoinstallation, 30 mins.
❌
