Mexican artist, researcher and architectural designer.
His work uses architecture, drawing, sculpture, writing and video to explore histories of indigeneity in architectural modernity, the production of extreme environments, the spatial politics of the colonial encounters in North America and the architectures of social experiments. He has been an IDEAS Fellow of the Society of Architectural Historians and a grantee of Jumex Foundation for Contemporary Art, Andrew W. Mellon Foundation, and DCASE, among others. His work has been shown at Prairie, DePaul Art Museum, BienalSur, Ca’ Foscari Zattere, Rhona Hoffman Gallery, Andrew Rafacz Gallery, Uri-Eichen Gallery, SpaceP11 and Centro de Arte y Filosofía. He has been a guest speaker for institutions and organizations like DocTalks x MoMA for the Emilio Ambasz Institute, the American Institute of Architects, the Society of Architectural Historians, Smart Museum of Art, Materia Abierta, UPenn, MAS Context and CENTRO.
He is a lecturer of Architecture History and Studio at the School of the Art Institute of Chicago, the Program Manager of the Katz Center for Mexican Studies at the University of Chicago and an Independent Spatial Designer.
CURRENTLY: How to see in the dark - CCAM - CoProsperity Sphere - May 2 - June 1, Chicago, group exhibition
UPCOMING: Thus we advance, harvesting our caravans - May 14 - June 15, MASContext, Chicago, Curatorial.
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Previous clients and collaborators include, Art Institute of Chicago, Singapore Art Museum, Edith Farnsworth House, Goethe-Institut Chicago, Michael Rakowitz Studio, Black Athena Collective, Dawit L. Petros, and Center for Latin American Studies at The University of Chicago.
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Mechanics of Labor Control
On law and religious language
Texts and diagram
This project explores religious and legal language to question and blur the notion of truth, testimony and history. A diagram traces back in time the agents and events that lead to the accidental death of an indigenous worker in a construction site in the 1970’s at the Mezquital Valley, in Mexico. A looping video of repurposed footage shows images of workers of the Valley precariously balancing and sliding down a steel column.
Based on the testimonials collected by Paul Leduc in his documentary Ethnocide: Notes on the Mezquital.
This piece was exhibited at the Venice Architecture Biennale, in Ca’ Foscari Zattere. “Exploring Belonging”, a collective exhibition by SAIC in response to the US Pavilion theme: Dimensions of Citizenship.